Beauty and the Beast

 

Original 1991 theatrical poster by John Alvin
Directed by Gary Trousdale
Kirk Wise
Produced by Don Hahn
Executive:
Howard Ashman
Screenplay by Linda Woolverton
Story by
Based on La Belle et la Bête by
Jeanne-Marie Le Prince de Beaumont
Narrated by David Ogden Stiers
Starring
Music by Alan Menken
Howard Ashman (Lyrics)
Alan Menken (Score)
Editing by John Carnochan
Studio Walt Disney Feature Animation
Silver Screen Partners IV
Distributed by Walt Disney Pictures
Buena Vista Distribution
Release date(s) November 22, 1991 (1991-11-22)
Running time 84 minutes
Country United States
Language English
Budget $25,000,000
Gross revenue $377,350,553

Beauty and the Beast is a 1991 American animated musical film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. The story is based on the fairy tale La Belle et la Bête by Jeanne-Marie Le Prince de Beaumont[1] and uses some ideas from the 1946 film of the same name.[2] It centers on a prince who is transformed into a Beast and a young woman named Belle whom he imprisons in his castle. To become a prince again, the Beast must love Belle and win her love in return.

This is the thirtieth film in the Walt Disney Animated Classics series and the third animated feature released during a period known as the “Disney Renaissance“, which began in 1989 with The Little Mermaid and ended in 1999 with Tarzan. It is widely considered one of Disney’s greatest animated films, and it is the first of only three animated films to be nominated for the Academy Award for Best Picture (the others being Disney·Pixar’s 2009 film Up and 2010 film Toy Story 3). Many animated films following its release have been influenced by its blending of traditional animation and computer generated imagery.

The film was adapted to an animation screenplay by Linda Woolverton, directed by Gary Trousdale and Kirk Wise, and produced by Don Hahn. The music of the film was composed by Alan Menken and Howard Ashman, both of whom had written the music and songs for Disney’s The Little Mermaid. Upon its release, Beauty and the Beast was a significant commercial and critical success, earning $403 million in box office earnings throughout the world, in addition to three Golden Globe Awards – including Best Picture – Musical or Comedy – and two Academy Awards.

A direct-to-video midquel called Beauty and the Beast: The Enchanted Christmas was released in 1997. It was followed in 1998 by another midquel, Belle’s Magical World, and later by a stage production of the same name and a television spin-off series, Sing Me a Story with Belle. An IMAX Special Edition version of the original film was released in 2002, with a new five-minute musical sequence included.

Contents

Plot

In the film’s prologue, an enchantress disguised as an old beggar woman offers a young prince a rose in exchange for a night’s shelter. When he turns her away, she punishes him by transforming him into an ugly Beast and turning his servants into furniture and other household items. She gives him a magic mirror that will enable him to view faraway events, and she gives him the rose, which will bloom until his twenty-first birthday. He must love and be loved in return before all the rose’s petals have fallen off, or he will remain a Beast forever.

Years later, a beautiful but unusual young woman named Belle lives in a nearby French village with her father Maurice, who is an inventor. Belle loves reading and yearns for a life beyond the village. She is courted by the arrogant local hero, Gaston, but has no interest in him.

Maurice’s latest invention is a wood-chopping machine. When he rides through the woods to display the machine at a fair, he loses his way and stumbles upon the Beast’s castle, where he meets the transformed servants Cogsworth, Lumiere, and Mrs. Potts and her son Chip. The Beast imprisons Maurice, but Belle is led back to the castle by Maurice’s horse and offers to take her father’s place. When the Beast agrees to this and sends him home, Maurice tells Gaston and the other villagers what happened, but they think he has lost his mind, so he goes to rescue Belle alone.

Meanwhile, the Beast orders Belle to dine with him, but she refuses, and Lumiere disobeys his order not to let her eat. After Cogsworth gives her a tour of the castle, she finds the rose in a forbidden area and the Beast angrily chases her away. Frightened, she tries to escape, but she and her horse are attacked by wolves. After the Beast rescues her, she nurses his wounds, he gives her the castle library as a gift, and they become friends. Later, they have an elegant dinner and a romantic ballroom dance. When he lets her use the magic mirror, she sees her father dying in the woods, and, with only hours left before the rose wilts, the Beast allows her to leave, giving her the mirror to remember him by. This horrifies the servants, who fear they will never be human again. As he watches her leave, the Beast admits to Cogsworth that he loves Belle.

Belle finds Maurice and takes him home, but Gaston arrives with a lynch mob. Unless she agrees to marry Gaston, the manager of the local madhouse will lock her father up. Belle proves Maurice sane by showing them the Beast with the magic mirror, but when she says the Beast is her friend and calls Gaston a “monster”, he becomes murderously jealous, arouses the mob’s anger against the Beast, and leads them to the castle to kill him. He locks Belle and Maurice in the basement, but Chip, who hid himself in Belle’s baggage, chops the basement door apart with Maurice’s machine.

While the servants drive the mob out of the castle, Gaston finds the Beast and attacks him. The Beast is initially too depressed to fight back, but he regains his will when he sees Belle arriving at the castle. After winning a heated battle, the Beast spares Gaston’s life and climbs up to a balcony where Belle is waiting. Gaston follows the Beast and stabs him from behind, but loses his balance and falls to his death.

While the Beast is dying from his injuries, Belle whispers that she loves him, breaking the spell just before the last petal drops from the rose. The Beast comes back to life, and he and the servants become human again. The film ends as Belle and the prince dance in the ballroom with her father and the servants happily watching.

Cast and crew

Cast and characters

  • Paige O’Hara as Belle – (Animation – James Baxter) – A bookish young woman who falls in love with the Beast and finds the kind-hearted human inside him. In their effort to enhance the character from the original story, the filmmakers felt that Belle should be “unaware” of her own beauty and made her “a little eccentric”.[3] Wise recalls casting O’Hara because of a “unique tone” she had, “a little bit of Judy Garland“.[4]
  • Robby Benson as The Beast – (Animation – Glen Keane) – A cold-hearted prince transformed into a beast as punishment for his selfishness, but later warms, with the help of Belle, and ends up being transformed back into a handsome prince as a reward. Chris Sanders, one of the film’s storyboard artists, drafted the designs for the Beast and came up with designs based on birds, insects and fish before coming up with something close to the final design.[5] Glen Keane, supervising animator for the Beast, refined the design by going to the zoo and studying the animals on which the Beast was based.[5] Benson commented, “There’s a rage and torment in this character I’ve never been asked to use before.”[6] The filmmakers commented that “everybody was big fee-fi-fo-fum and gravelly” while Benson’s voice had the “big voice and the warm, accessible side” and that “you could hear the prince beneath the fur”.[5]
  • Richard White as Gaston – (Animation – Andreas Deja, Ron Husband, David Burgess, Tim Allen) – A highly egotistical hunter who vies for Belle’s hand in marriage and is determined not to let anyone else win her heart, even if it means killing her true love. Hahn commented that they had “big line-ups of good-looking men with deep voices” during the casting auditions, but that Richard White had a “big voice” that “rattled the room”.[5] Gaston’s supervising animator, Andreas Deja, was pressed by Jeffrey Katzenberg to make Gaston handsome in contrast to the traditional appearance of a Disney villain, an assignment he found difficult at first.[7]
  • Jerry Orbach as Lumière – (Animation – Nik Raineri) – The kind-hearted but rebellious maître d’ of the Beast’s castle, he has been transformed into a candelabra. He has a habit of disobeying his master’s strict rules, sometimes causing tension between them, but the Beast often turns to him for advice, and he is arguably the Beast’s closest friend after Belle. Depicted as a bit of a ladies’ man, as he is frequently seen with Babette the Featherduster and immediately takes to Belle.
  • David Ogden Stiers as Cogsworth – (Animation – Will Finn) – The castle majordomo and Lumiere’s best friend, transformed into a clock. While he is as good-natured as Lumiere, he is extremely loyal to the Beast so as to save himself and anyone else any trouble, often leading to friction between himself and Lumiere. Stiers also provided the voice of The Narrator.
  • Angela Lansbury as Mrs. Potts – (Animation – David Pruiksma) – The head of the castle kitchens, turned into a teapot, who takes a motherly attitude toward Belle. The filmmakers went through several names for Mrs. Potts, such as “Mrs. Chamomile”, before Ashman suggested the use of simple and concise names for the household objects.[5]
  • Bradley Michael Pierce as Chip – (Animation – David Pruiksma) – A teacup and Mrs. Potts’ son. Originally intended to have only one line, the filmmakers were impressed with Pierce’s performance and expanded the character’s role significantly, eschewing a mute Music Box character.[5]
  • Rex Everhart as Maurice – Belle’s inventor father.
  • Jesse Corti as Le Fou – (Animation – Chris Wahl) – Gaston’s bumbling and often mistreated sidekick.
  • Hal Smith as Philippe – (Animation – Russ Edmonds) – Belle’s horse.
  • Jo Anne Worley as Madame De la Grande Bouche Wardrobe – The castle’s authority over fashion, and a former opera singer, turned into a wardrobe. The character of Wardrobe was introduced by visual development person Sue C. Nichols to the then entirely male cast of servants, and was originally a more integral character named “Madame Armoire”. Wardrobe is known as “Madame de la Grande Bouche” in the stage adaptation of the film.
  • Kimmy Robertson as Babette the Featherduster – A featherduster and Lumiere’s lover. She is named “Babette” in the stage adaptation of the film, and “Fifi” in Belle’s Magical World.
  • Frank Welker as Footstool, aka Sultan – the castle’s pet dog turned into a footstool, whom Chip seems to own as his pet.
  • Mary Kay Bergman as Bimbette – A village girl with her eyes on Gaston.
  • Kath Soucie as Bimbette – Another village girl who fancies Gaston.
  • Tony Jay as Monsieur D’Arque – The owner of the Maison de Lune. Gaston bribes him to help him in his plan to blackmail Belle.

In the original Chinese versions of Beauty and the Beast, the voice of the Beast is provided by Jackie Chan. He provided both the speaking and singing voices in these versions. In September 2007, CCTV6, a Chinese film channel, aired a newly dubbed version of Beauty and the Beast in which Beast’s voice is performed by 王凯, Wang Kai. Together with this version, a translated version of the pop version of the “Beauty and the Beast” theme song was released, which was translated by Chan Siu Kei and sung by Nicholas Tse Ting-Fung and Meilin.[8] This translated theme song was released separately before the film aired and is not included in the new Chinese version, which uses another translation of lyrics, translated by Han Wen (翰文).

Two Spanish versions exist, one in Mexican Spanish for the Latin American market, the other in Castilian Spanish for the European market. In the Mexican version, the voice of LeFou is provided by the same actor who played the role in English, Venezuelan-American voice actor Jesse Corti.[9]

In the Italian version, the theme song is perfomed by the famous Italian singer Gino Paoli and his daughter Amanda Sandrelli. Unlike in the English version, the first part of the song is sung by a man (Gino Paoli, in the original Celine Dion) and the second part by a woman (Amanda Sandrelli, in the original Peabo Bryson)

For the French version, the theme song is performed by Charles Aznavour.

In the Swedish version, the theme song is provided by Tommy Körberg and Sofia Källgren, who also provide the voices of Beast and Belle, respectively, in the film.

In the Greek version of the film, the Beast’s voice is provided by Yiannis Palamidas, the same actor who provided the voice of Mufasa in the Greek release of ”The Lion King”. Belle’s voice is provided by the well-known Greek actress Christy Stasinopoulou.

Production

Early versions

Walt Disney sought out other stories to turn into feature films after the success of Snow White and the Seven Dwarfs, and Beauty and the Beast was among the stories he considered.[3][10] Attempts to develop the Beauty and the Beast story into a film were made in the 1930s and 1950s, but were ultimately given up because it “proved to be a challenge” for the story team.[3] Peter M. Nichols states Disney may later have been discouraged by Jean Cocteau having already done his version.[11]

Decades later, after the success of Who Framed Roger Rabbit in 1988, the Disney studio resurrected Beauty and the Beast as a project for the satellite animation studio it had set up in London, England to work on Roger Rabbit.[12] Richard Williams, who had directed the animated portions of Roger Rabbit, was approached to direct, but declined in favor of continuing work on his long-gestating project The Thief and the Cobbler.[12] In his place, Williams recommended his colleague, English animation director Richard Purdum, and work began under producer Don Hahn on a non-musical version of Beauty and the Beast set in Victorian France.[12] At the behest of Disney CEO Michael Eisner, Beauty and the Beast became the first Disney animated film to use a screenwriter. This was an unusual production move for an animated film, which is traditionally developed on storyboards rather than in scripted form.[13] Linda Woolverton wrote the original draft of the story before storyboarding began, and worked with the story team to retool and develop the film.[13]

Script rewrite and musicalization

Upon seeing the initial storyboard reels in 1989, Walt Disney Studios chairman Jeffrey Katzenberg ordered that the film be scrapped and started over from scratch.[12] A few months after starting anew, Purdam resigned as director, and was replaced by first-time feature directors Kirk Wise and Gary Trousdale. Wise and Trousdale had previously directed the animated sections of Cranium Command, a short film for a Disney EPCOT theme park attraction.[12] In addition, Katzenberg asked songwriters Howard Ashman and Alan Menken, who’d written the song score for Disney’s recent success The Little Mermaid, to turn Beauty and the Beast into a Broadway-style musical film in the same vein as Mermaid. Ashman, who at the time had learned he was dying of AIDS, had been working with Disney on a pet project of his, Aladdin, and only reluctantly agreed to join the struggling production team.[12]

To accommodate Ashman’s failing health, pre-production of Beauty and the Beast was moved from London to the Residence Inn in Fishkill, New York, close to Ashman’s New York City home.[12] Here, Ashman and Menken joined Wise, Trousdale, Hahn, and Woolverton in retooling the film’s script.[3][13] Since the original story had only two major characters, the filmmakers enhanced them, added new characters in the form of enchanted household items who “add warmth and comedy to a gloomy story” and guide the audience through the film, and added a “real villain” in the form of Gaston.[3] These ideas were somewhat similar to elements of the 1946 French film version of Beauty and the Beast, which introduced the character of Avenant, an oafish suitor somewhat similar to Gaston[14] as well as inanimate objects coming to life in the Beast’s castle.[15] The animated objects were, however, given distinct personalities in the Disney version. By early 1990, Katzenberg had approved the revised script, and storyboarding began again.[3][13] The production flew story artists back and forth between California and New York for storyboard approvals from Ashman, though the team was not told the reason why.[3]

A frame from the famous “Beauty and the Beast” ballroom dance sequence. Using Disney’s CAPS software, the traditionally animated characters of Belle and the Beast are combined with a rendered computer-generated background to give the illusion of a dollying film camera.

Animation

Production of Beauty and the Beast had to be completed on a compressed timeline of two years rather than four because of the loss of production time spent developing the earlier Purdam version of the film.[5] Most of the production was done at the main Feature Animation studio, housed in the Air Way facility in Glendale, California. A smaller team at the Disney-MGM Studios theme park in Lake Buena Vista, Florida assisted the California team on several scenes, particularly the “Be Our Guest” number.[3]

Beauty and the Beast was the second film produced using CAPS (Computer Animation Production System), a digital scanning, ink, paint, and compositing system of software and hardware developed for Disney by Pixar.[3][12] The software allowed for a wider range of colors, as well as soft shading and colored line effects for the characters, techniques lost when the Disney studio abandoned hand inking for xerography in the late 1950s.[5] CAPS also allowed the production crew to simulate multiplane effects: placing characters and/or backgrounds on separate layers and moving them towards/away from the camera on the Z-axis to give the illusion of depth, as well as altering the focus of each layer.

In addition, CAPS allowed easier combination of hand-drawn art with computer-generated imagery, which before had to be plotted to animation cels and painted traditionally.[3][16] This technique was put to significant use during the “Beauty and the Beast” waltz sequence, in which Belle and Beast dance through a computer-generated ballroom as the camera dollies around them in simulated 3D space.[3][5] The filmmakers had originally decided against the use of computers in favor of traditional animation, but later, when the technology had improved, decided it could be used for the one scene in the ballroom.[11] The success of the ballroom sequence helped convince studio executives to further invest in computer animation.[17]

Music

Ashman and Menken wrote the Beauty song score during the pre-production process in Fishkill, the opening operetta-styled “Belle” being their first composition for the film.[3] Other songs included “Be Our Guest“, sung to Belle by the objects when she becomes the first visitor to eat at the castle in a decade, “Gaston”, a solo for the swaggering villain, “Human Again”, a song describing Belle and Beast’s growing love from the objects’ perspective, the love ballad “Beauty and the Beast”, and the climatic “The Mob Song”.

As story and song development came to a close, full production began in Burbank while voice and song recording began in New York City.[3] The Beauty songs were mostly recorded live with the orchestra and the voice cast performing simultaneously rather than overdubbed separately, in order to give the songs an cast album-like “energy” the filmmakers and songwriters desired.[5]

During the course of production, many changes were made to the structure of the film, necessitating the replacement and re-purposing of songs. After screening a mostly animated version of the “Be Our Guest” sequence, which at first story artist Bruce Woodside suggested that the objects should be singing the song to Belle rather than her father.[3] Wise and Trousdale agreed, and the sequence and song were retooled to replace Maurice with Belle.[3]

“Human Again” was dropped from the film before animation began, as its lyrics caused story problems about the timeline over which the story takes place.[3] This required Ashman and Menken to write a new song in its place. “Something There“, in which Belle and Beast sing (via voiceover) of their growing fondness for each other, was composed late in production and inserted into the script in place of “Human Again”.[5] Menken would later revise “Human Again” for inclusion in the 1994 Broadway stage version of Beauty and the Beast, and another revised version of the song was added to the film itself in a new sequence created for the film’s Special Edition re-release in 2002.[3][5]

Ashman died of AIDS-related complications on March 14, 1991, eight months prior to the release of the film. He never saw the finished film, and his work on Aladdin was completed by another lyricist, Tim Rice.[12] A tribute to the lyricist was included at the end of the credits crawl: “To our friend, Howard, who gave a mermaid her voice, and a beast his soul. We will be forever grateful. Howard Ashman: 1950–1991“.

A pop version of the “Beauty and the Beast” theme, performed by Céline Dion and Peabo Bryson over the end credits, was released as a commercial single from the film’s soundtrack, supported with a music video. The Dion/Bryson version of “Beauty and the Beast” became an international pop hit, reaching the Top Ten of the singles charts in the United States and the United Kingdom[18][19] Later home video releases of Beauty and the Beast would include, as bonus features, new music videos featuring covers of the title song by Jump 5 (for the 2002 DVD release) and Jordin Sparks (for the 2010 Blu-Ray/DVD release).

Musical numbers

  1. “Belle” – Belle, Gaston, & Townspeople
  2. “Belle” (Reprise)- Belle
  3. “Gaston” – Gaston, Lefou, & Townspeople
  4. “Gaston” (Reprise) – Gaston & Lefou
  5. Be Our Guest” – Lumière, Mrs. Potts, & Enchanted Objects
  6. “Something There” – Belle, Beast, Lumière, Cogsworth, & Mrs. Potts
  7. “Human Again” (added in the 2002 special edition) – Lumière, Cogsworth, Mrs. Potts, Wardrode, Chip & Enchanted Objects
  8. Beauty and The Beast” – Mrs. Potts
  9. “The Mob Song” – Gaston, Lefou & Townspeople

Release

The film was shown at the New York Film Festival in September 1991. Because the animation was only about 70% complete, the film was shown as a “work in progress.” Storyboards and pencil tests were used in place of the remaining 30%. In addition, parts of the film that were finished were “stepped back” to previous versions of completion. The “work-in-progress” version of Beauty and the Beast played to a standing ovation from the film festival audience.[12] The completed film would also be screened out of competition at the 1992 Cannes Film Festival.[20]

The finished film premiered at the El Capitan Theatre in Hollywood on November 13, 1991, and went into wide release through Walt Disney Pictures on November 22. The film was a significant success at the box-office, with more than $145 million in revenues in the United States and Canada alone, and over $403 million in worldwide revenues.[21][22] This high number of sales made it the third-most successful film of 1991, surpassed only by the summer blockbusters Terminator 2: Judgment Day and Robin Hood: Prince of Thieves. Beauty and the Beast was the most successful animated Disney film released to that point, and the first animated film to reach $100 million at the United States and Canadian box offices.[23]

Reception

Upon the theatrical release of the finished version, the film was universally praised, with Roger Ebert giving it four stars out of four and saying that “Beauty and the Beast reaches back to an older and healthier Hollywood tradition in which the best writers, musicians and filmmakers are gathered for a project on the assumption that a family audience deserves great entertainment, too.” He ranked the movie as the 3rd best film of 1991. James Berardinelli gave the film a four out of four stars and says, “As a romance, Beauty and the Beast is a delightful confection, creating a pair of memorable, three-dimensional characters and giving us reason to root for their union.” Berardinelli has called the movie the greatest animated film of all time and has ranked it #56 in his Top 100 Films, ahead of other famous films like #71 Wizard of Oz (1939 film), #80 To Kill a Mockingbird (film), and #94 Lawrence of Arabia (film). The film received mostly positive reviews, among them some of the best notices the studio had received since the 1940s.[12] Rotten Tomatoes, a film review aggregator, shows Beauty and the Beast with a 94% approval rating as of July 2010 averaged from 55 reviews of the original theatrical release and later theatrical and home video versions.[24] The use of computer animation, particularly in the “Beauty and the Beast” ballroom sequence, was singled out in several reviews as one of the film’s highlights.[5]

Smoodin writes in his book Animating Culture that the studio was trying to make up for earlier gender stereotypes with this film.[25] Smoodin also states that, in the way it has been viewed as bringing together traditional fairy tales and feminism as well as computer and traditional animation, the film’s “greatness could be proved in terms technology narrative or even politics”.[26] Another author writes that Belle “becomes a sort of intellectual less by actually reading books, it seems, than by hanging out with them,” but says that the film comes closer than other “Disney-studio” films to “accepting challenges of the kind that the finest Walt Disney features met”.[27] David Whitley writes in The Idea of Nature in Disney Animation that Belle is different from earlier Disney heroines in that she is mostly free from the burdens of domestic housework, although her role is somewhat undefined in the same way that “contemporary culture now requires most adolescent girls to contribute little in the way of domestic work before they leave home and have to take on the fraught, multiple responsibilities of the working mother”.[28] Whitley also notes other themes and modern influences, such as the film’s critical view of Gaston’s chauvinism and attitude towards nature, the cyborg-like servants, and the father’s role as an inventor rather than a merchant.[28]

Betsy Hearne, editor of The Bulletin of the Center for Children’s Books, writes that the film belittles the original story’s moral about “inner beauty”, as well as the heroine herself, in favor of a more brutish struggle; “In fact,” she says, “it is not Beauty’s lack of love that almost kills Disney’s beast, but a rival’s dagger.”[29]

Stefan Kanfer writes in his book Serious Business that in this film “the tradition of the musical theater was fully co-opted”, such as in the casting of Broadway performers Angela Lansbury and Jerry Orbach.[30]

IGN named Beauty and the Beast as the greatest animated film of all time, directly ahead of Wall-E.[31]

Merchandise and spin-offs

Beauty and the Beast merchandise covered a wide variety of products, among them storybook versions of the film’s story, a comic book based on the film published by Disney Comics, toys, children’s costumes, and other items. In addition, the character of Belle has been integrated into the “Disney Princess” line of Disney’s Consumer Products division, and appears on merchandise related to that franchise.

In 1995, a live-action children’s series entitled Sing Me a Story with Belle began running in syndication, remaining on the air through 1999. Two direct-to-video midquels (which take place during the timeline depicted in the original film) were produced by Walt Disney Television Animation: Beauty and the Beast: The Enchanted Christmas in 1997 and Belle’s Magical World in 1998.

Reissues

Disney initially planned a re-release of the film to be released theatrically in December 1998 in an attempt of counterprogramming against DreamWorksThe Prince of Egypt. The idea to restore the “Human Again” sequence was originally for this re-issue. However, due to impending competition from the aforementioned Prince of Egypt as well as The Rugrats Movie, Babe: Pig in the City and Jack Frost as well as Disney’s own holiday release schedule being quite full with Enemy of the State, A Bug’s Life and Mighty Joe Young, the re-release was delayed to spring 1999. When Disney decided to bump Doug’s 1st Movie from direct-to-video to a theatrical release, that film took the re-release’s date, delaying it to the holiday season. Presumably due to competition, like the year before, and Disney’s own efforts to promote Toy Story 2, this release date was also canceled. Beauty and the Beast still has yet to be re-released theatrically in a nationwide release.

In 2001, Beauty and the Beast was added to the United States National Film Registry as being deemed “culturally, historically, or aesthetically significant.” The film was restored and remastered for its New Year’s Day, 2002 re-release in IMAX theatres in a special edition edit including a new musical sequence. For this version of the film, much of the animation was cleaned up, a new sequence set to the deleted song “Human Again” was inserted into the film’s second act, and a new digital master from the original CAPS production files was used to make the high resolution IMAX film negative.

A sing along edition of the film, hosted by Jordin Sparks, was released in select theaters on September 29 and October 2, 2010. Prior to the showing of the film Sparks showed an exclusive behind-the-scenes look at the newly restored high definition animated classic and the making of her all-new Beauty and the Beast music video. There was also commentary from producer Don Hahn, interviews with the cast and an inside look at how the animation was created.[32]

A 3D version of the film was scheduled to be re-released in theatres on February 12, 2010 in the Disney Digital 3-D format, but the project has been postponed for the time being in the United States due to Disney not wanting to oversaturate the market.[33] However, this version did have a limited run in New Zealand (also in IMAX), Australia at Hoyts Cinemas beginning August 2010,[34] India on September 2010, Japan in October, coinciding with the Blu-Ray release, and Spain during the Christmas season of 2010. Though it is currently unknown if there are plans to theatrically release this version Stateside, a Blu-Ray 3D release is being planned.[35]

Home video releases

Blu-ray Diamond edition cover

The film was released to VHS and Laserdisc on October 30, 1992 as part of the Walt Disney Classics series, and was later put on moratorium. This version contains a minor edit to the film: skulls that appear in Gaston’s pupils for two frames during his climatic fall to his death were removed for the original home video release.[5] No such edit was made to later reissues of the film. The “work-in-progress” version screened at the New York Film Festival was also released on VHS and Laserdisc at this time.

Beauty and the Beast: Special Edition, as the enhanced version of the film released in IMAX/large-format is called, was released on 2-Disc “Platinum Edition” DVD and VHS on October 8, 2002. The DVD set features three versions of the film: the extended IMAX Special Edition with the “Human Again” sequence added, the original theatrical version, and the New York Film Festival “work-in-progress” version. This release went to “Disney Vault” moratorium status in January 2003, along with its direct to video follow-ups Beauty and the Beast: The Enchanted Christmas and Belle’s Magical World.

The film was released from the Disney vault on October 5, 2010 as the second of Disney’s Diamond Editions, in the form of a 3-Disc-Blu-ray Disc and DVD combination pack;[36] representing the first release of Beauty and the Beast on home video in high-definition format.[37] This edition consists of four versions of the film: the original theatrical version, an extended version, the New York Film Festival storyboard-only version, and a fourth iteration displaying the storyboards via picture-in-picture alongside the original theatrical version.[38][39] However, one revised shot from the special extended edition appeared in all 4 versions of the film. This was the shot at the very end of the musical number “Something There” where Mrs. Potts said to Chip, “I’ll tell you when you’re older” and kissed him on the nose. A two-disc DVD edition was released on November 23, 2010.[36]

Stage musical

On Monday, April 18, 1994, a stage adaptation, also titled Beauty and the Beast, premiered on Broadway at the Palace Theatre in New York City. The show transferred to the Lunt-Fontanne Theatre on November 11, 1999. The commercial (though not critical) success of the show led to productions in the West End, Toronto, and all over the world. The Broadway version, which ran for over a decade, received a Tony Award, and became the first of a whole line of Disney stage productions. The original Broadway cast included Terrence Mann as the Beast, Susan Egan as Belle, Burke Moses as Gaston, Gary Beach as Lumiere, Heath Lamberts as Cogsworth, Tom Bosley as Maurice, Beth Fowler as Mrs. Potts, and Stacey Logan as Babette the feather duster. Many celebrities also starred in the Broadway production during its thirteen year run including Kerry Butler, Deborah Gibson, Toni Braxton, Andrea McArdle, Jamie-Lynn Sigler, Christy Carlson Romano, Ashley Brown, and Anneliese van der Pol as Belle; Chuck Wagner, James Barbour, and Jeff McCarthy as the Beast; Meshach Taylor, Jacob Young, and John Tartaglia as Lumiere; and Marc Kudisch, Christopher Sieber, and Donny Osmond as Gaston. The show ended its Broadway run on July 29, 2007 after 46 previews and 5,464 performances.

Video games

German language cover of Europe’s 1994 Beauty and the Beast

There are several video games are loosely based on the film:

  • Beauty and the Beast is an action, platformer developed and publisher by Hudson Soft for the NES. It was released in Europe in 1994.[40] Gaston, logically, is the final boss of the game because he wants to kill the Beast, marry Belle and force her to give birth to nothing but baby boys (that look like Gaston).
  • Disney’s Beauty and the Beast is an action, platformer for the Super NES. It was developed and published by Hudson Soft in North America and Europe in November 1994 and February 23, 1995, respectively. The game was published by Virgin Interactive in Japan on July 8, 1994.[41] The entire game is played through the perspective of the Beast. As the Beast, the player must get Belle to fall in love so that the curse cast upon him and his castle will be broken, she will marry him and become a princess. The final boss of the game is Gaston, a hunter who will try to steal Belle from the Beast. There is even a snowball fight scene in the middle of the game and cutscenes between stages that tells the story of Beauty and the Beast. In Japan, this game was referred to as Bijo to Yajuu (美女と野獣?, “Beauty and the Beast”).[42]
  • Beauty & The Beast: Belle’s Quest is a action, platformer for the Sega Mega Drive/Genesis. Developed by Software Creations, the game was released in North America in 1993.[43] It is one of two video games based on the film that Sunsoft published for the Genesis,[40] the other being Beauty & The Beast: Roar of the Beast. Characters from the film like Gaston can help the player past tricky situations. As Belle, the player must reach the Beast’s castle and break the spell to live happily ever after. To succeed, she must explore the village, forest, castle, and snowy forest to solve puzzles and mini-games while ducking or jumping over enemies. Belle’s health is represented by a stack of blue books, which diminishes when she touches bats, rats, and other hazards in the game. Extra lives, keys and other items are hidden throughout the levels. While there is no continue or game saving ability, players can use a code to start the game at any of the seven levels.[44]
  • Beauty & The Beast: Roar of the Beast is the title of a side-scrolling video game for the Sega Genesis/Mega Drive. The game was one of two games based on the film released for the Sega Genesis, the other game being Beauty & The Beast: Belle’s Quest, both of which were produced by Sunsoft and released in 1993. As the Beast, the player must successfully complete several levels, based on scenes from the film, in order to protect the castle from invading villagers and forest animals and rescue Belle from the evil Gaston.[45] Intermission screenshots between each level help to move the story along, as do mini-games. The Beast can crouch, jump, swing his fists, and use a special roar attack that will freeze the on-screen enemies for a brief period. He can sometimes locate items within a level to restore some of his health, and the game provides unlimited continues. It was often described as having a high difficulty level.[46]
  • Disney’s Beauty & The Beast: A Boardgame Adventure is a Disney Boardgame adventure for the Game Boy Color.

Awards and nominations

Academy Awards

Alan Menken and Howard Ashman’s song “Beauty and the Beast” won the Academy Award for Best Music, Song, while Menken’s score won the award for Best Music, Original Score. Two other Menken and Ashman songs from the film, “Belle” and “Be Our Guest”, were also nominated for Best Music, Song. Beauty and the Beast was the first picture to receive three Academy Award nominations for Best Song, a feat that would be repeated by The Lion King (1994), Dreamgirls (2006), and Enchanted (2007). Academy rules have since been changed to limit each film to two nominations in this category.

The film was also nominated for Best Sound and Best Picture. It was the first and only animated film to be nominated for Best Picture, until the nomination of Disney/Pixar‘s Up in 2010, owing in part to the widening of the Best Picture field to ten nominees. It lost to the critically-acclaimed thriller The Silence of the Lambs.

With six nominations, the film currently shares the record for the most nominations for an animated film with WALL-E (2008), although, with three nominations in the Best Original Song category, Beauty and the Beast‘s nominations span only four categories, while WALL-E‘s nominations cover six individual categories.

Award Recipient
Best Music, Original Score Alan Menken
Best Music, Original Song (“Beauty and the Beast”) Alan Menken & Howard Ashman
Nominated:
Best Picture Don Hahn
Best Music, Original Song (“Belle”) Alan Menken & Howard Ashman
Best Music, Original Song (“Be Our Guest”) Alan Menken & Howard Ashman
Best Sound Terry Porter, Mel Metcalfe, David J. Hudson & Doc Kane

Golden Globes

Beauty and the Beast was the first animated film to win a Golden Globe for Best Picture – Musical or Comedy. This feat was repeated by The Lion King and Toy Story 2.

Award Result
Best Motion Picture – Musical or Comedy Won
Best Original Score Won
Best Original Song (For “Beauty and the Beast”) Won
Best Original Song (For “Be Our Guest”) Nominated

Grammy Awards

Award Result
Best Album for Children Won
Best Pop Performance by a Group or Duo With Vocal (For “Beauty and the Beast”) Won
Song of the Year (For “Beauty and the Beast”) Nominated
Best Instrumental Composition Written for a Motion Picture Won
Best Song Written Specifically for a Motion Picture or for Television (For “Beauty and the Beast”) Won
Record of the Year (For “Beauty and the Beast”) Nominated

Other awards

In June 2008, the American Film Institute revealed its “Ten top Ten” lists of the best ten films in ten “classic” American film genres based on polls of over 1,500 people from the creative community. Beauty and the Beast was acknowledged as the 7th best film in the animation genre.[47][48] In previous lists, it ranked #22 on the Institutes’s list of best musicals and #34 on its list of the best romantic American films. On the list of the greatest songs from American films, Beauty and the Beast ranked #62.

Award Result
ASCAP Film and Television Music Awards: Most Performed Songs in a Motion Picture Won
Academy of Science Fiction, Fantasy, and Horror Films: Best DVD Classic Film Release Won
Academy of Science Fiction, Fantasy, and Horror Films: Best Music Won
Annie Awards: Best Animated Feature Won
BAFTA Awards: Best Original Film Score Nominated
BAFTA Awards: Best Special Effects Nominated
BMI Film and TV Awards: BMI Film Music Award Won
DVD Exclusive Awards: Best Overall New Extra Features, Library Release Won
DVD Exclusive Awards: Best Menu Design Nominated
Hugo Awards: Best Dramatic Presentation Nominated
Kansas City Film Critics Circle Awards: Best Animated Feature Won
Los Angeles Film Critics Association Awards: Best Animation Won
Motion Picture Sound Editors: Best Sound Editing, Animated Feature Won
National Board of Review: Special Award for Animation Won
Satellite Awards: Best Youth DVD Nominated
Young Artist Awards: Outstanding Family Entertainment of the Year Won

American Film Institute recognition:

References

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  35. ^ Disney announced 3D home video releases for 2011
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External links

Wikiquote has a collection of quotations related to: Beauty and the Beast
v·d·eDisney’s Beauty and the BeastFilms

Adaptations

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Beauty and the Beast (1991) · Beauty and the Beast: The Enchanted Christmas (1997) · Belle’s Magical World (1998)
 
 
 
v·d·eDisney theatrical animated featuresWalt Disney
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Snow White and the Seven Dwarfs (1937) · Pinocchio (1940) · Fantasia (1940) · Dumbo (1941) · Bambi (1942) · Saludos Amigos (1942) · The Three Caballeros (1944) · Make Mine Music (1946) · Fun and Fancy Free (1947) · Melody Time (1948) · The Adventures of Ichabod and Mr. Toad (1949) · Cinderella (1950) · Alice in Wonderland (1951) · Peter Pan (1953) · Lady and the Tramp (1955) · Sleeping Beauty (1959) · One Hundred and One Dalmatians (1961) · The Sword in the Stone (1963) · The Jungle Book (1967) · The Aristocats (1970) · Robin Hood (1973) · The Many Adventures of Winnie the Pooh (1977) · The Rescuers (1977) · The Fox and the Hound (1981) · The Black Cauldron (1985) · The Great Mouse Detective (1986) · Oliver & Company (1988) · The Little Mermaid (1989) · The Rescuers Down Under (1990) · Beauty and the Beast (1991) · Aladdin (1992) · The Lion King (1994) · Pocahontas (1995) · The Hunchback of Notre Dame (1996) · Hercules (1997) · Mulan (1998) · Tarzan (1999) · Fantasia 2000 (1999) · Dinosaur (2000) · The Emperor’s New Groove (2000) · Atlantis: The Lost Empire (2001) · Lilo & Stitch (2002) · Treasure Planet (2002) · Brother Bear (2003) · Home on the Range (2004) · Chicken Little (2005) · Meet the Robinsons (2007) · Bolt (2008) · The Princess and the Frog (2009) · Tangled (2010) · Winnie the Pooh (2011) · King of the Elves (2012)
 
 
 
v·d·eFilms directed by Gary Trousdale1990s

2000s

 
Beauty and the Beast (1991) · The Hunchback of Notre Dame (1996)
 
v · d · eGolden Globe Award for Best Motion Picture – Musical or Comedy
 

Arthur (1981) · Tootsie (1982) · Yentl (1983) · Romancing the Stone (1984) · Prizzi’s Honor (1985) · Hannah and Her Sisters (1986) · Hope and Glory (1987) · Working Girl (1988) · Driving Miss Daisy (1989) · Green Card (1990) · Beauty and the Beast (1991) · The Player (1992) · Mrs. Doubtfire (1993) · The Lion King (1994) · Babe (1995) · Evita (1996) · As Good as It Gets (1997) · Shakespeare in Love (1998) · Toy Story 2 (1999) · Almost Famous (2000)


Complete List · (1951–1960) · (1961–1980) · (1981–2000) · (2001–present)

v · d · eAnnie Award for Best Animated Feature
 

Beauty and the Beast (1992) · Aladdin (1993) · The Lion King (1994) · Pocahontas (1995) · Toy Story (1996) · Cats Don’t Dance (1997) · Mulan (1998) · The Iron Giant (1999) · Toy Story 2 (2000) · Shrek (2001) · Spirited Away (2002) · Finding Nemo (2003) · The Incredibles (2004) · Wallace & Gromit: The Curse of the Were-Rabbit (2005) · Cars (2006) · Ratatouille (2007) · Kung Fu Panda (2008) · Up (2009) · How to Train Your Dragon (2010)